I
promise you if you haven't
tasted it already, this
Comfortably Numb tab and
solo WILL be the best
thing that you will play!!
so...
Again,
before you start
on this final Comfortably
numb tab I want
you to get used
to the notation.
This
solo uses slightly
different guitar notation
to part 1 this is
so that you can get
familiar with the
whole range of guitar
notation that is available
which can pop-up at
any time...
Here
again is the notation
used in the tab
~
= Vibrato
\
= Slide Down
/
= Slide Up
b
= Bend
r
= Release
p=
Pull-off
x=
String muting
Here
I shall guide you
into playing the Comfortably
numb tab . I will
also give you recommendations
and tips so that you
can soundbetter!
Exercise
1Comfortably
Numb Tab first
solo
Ok
when the Comfortably
numb tab kicks in
so much is said within
the first 3 or 4 notes.
Bend fret 9 on the
3rd string twice and
then release it. When
you hit the 9~ this
means do a little vibrato on
the 9th fret by performing
a series of small
bends up and down
using the 3rd string.
Do the same on the
very last note which
is the 10th fret 2nd
string.
Exercise
2Comfortably
Numb Tab second
solo
OK,
now we are moving
slightly higher up
the fret board. At
the 10p7 perform a
pull-off onto the
7th fret. Before you
come to this part
it is best to perform
a string rake it just
sounds nicer!
Exercise
3Comfortably
Numb Tab second
solo
This
part involves a lot
of bends and you have
to be slightly quick
on them. If you are
not used to this part
then you may find
yourself hitting the
wrong strings at first.
Don't worry about
this just take it
slowly at first, then
you will improve your
speed automatically!
When you reach 10b~
bend the 10th fret
to the sound of 2
frets higher and on
the bend perform a
vibrato. This is difficult
at first but
when you practice
it gets so easy. You
should be able to
perform the rest of
this part without
any guidance
Exercise
4 Comfortably
Numb Tab second
solo
Exercise
5 Comfortably
Numb Tab second
solo
Exercise
6 Comfortably
Numb Tab second
solo
OK,
these are the most
difficult parts of
the solo and they
are called riff
runs. The notes played
seem to consist of
the B minor pentatonic
scale which are played
fast. Each run is
a variation of the
notes in this pattern
and key b
etween the 5th and
9th fretsusing
many techniques such
as bends and releases,
pull-offs, hammer-ons
and string muting.
You should understand
these techniques by
now especially if
you have covered part
1